English 169, Lecture 1
With Prof. Schaub, Spring 2007
Teaching Assistant: Emily S. Yu

Sunday, December 31, 2006

My Syllabus

Discussion Section Goals:

In my section, you will acquire two principle skills:



· Close Reading: is a set of skills fundamental to analyzing and interpreting texts. Literary scholars use close reading to gain insight into the meanings within a text, oftentimes beyond the interpretations of authorial intent. Throughout the semester, I will assist you with acquiring and practicing this valuable skill.



· Developing Thesis Statements and Arguments: Thesis statements and arguments are essential components of literary analysis. While successful thesis statements focus our ideas succinctly, successful essay argumentation forces us to write logically, persuasively, and concisely. In my section, I will assist you in developing both of these tools.



All of your assignments are designed to improve these two skills. My discussion sections will give you opportunities to practice these skills in groups through a variety of methods. Improving these skills will not only assist you in obtaining a well-rounded liberal arts education but will also assist you in acquiring a strong grade in this course.



Guidelines

  • Be Prepared: I expect students to come to class prepared for discussion. This includes completed assignments, attending lectures, and active participation. Bring your books, lecture notes, and any questions you may have to class.

  • Be Punctual: I always begin class on time. Please be punctual and ready to participate at the start of class.

  • Read the Assignments: The minimum requirements of every assignment will be listed on the assignment sheet.

  • Turn in Assignments on Time: Students will be expected to turn in all assignments on time. Late work will suffer a severe penalty. If you are aware of an issue concerning a paper’s due date, you must speak with me prior to the due date.

  • Backup Your Files: Please make multiple backups of your files to ensure that you do not lose your essays or any of your homework assignments.

· Be a Critic, Not a Jerk: The content and conduct of this course involves the exchange of ideas. It is quite possible that at some point you will hear opinions from your classmates with which you don’t agree. I respect each student’s right to her or his beliefs; however, I will not allow behavior or language that is purposefully hostile or violates another student. Criticism must be handled with tact. You are allowed to disagree but appropriately.

· Be Polite, Not Rude: When any student is speaking, you are required to grant that student with respect by paying attention and by allowing the student to speak his/her mind without interruption. The consequence for refusing to follow these rules of decorum is the expulsion from the classroom during that specific period. If you are not willing to listen to others, why should anyone listen to you?

Attendance

All students receive one free absence. More than one absence may have serious consequences towards your discussion section grade. More than 4 absences will result in failure of the course. You will be held responsible for the material that you miss in an absence, so be sure to keep in contact with your fellow classmates.

Free Services for You

· Writing Center: The Writing Center is amazing. It is a free service provided to all university students, and I highly recommend scheduling at least one appointment this semester. The Writing Center can help you conceptualize writing assignments across any curriculum. Please see http://www.wisc.edu/writing/AboutUs/DoForYou.html for more information on what the Writing Center can do for you. Please contact the Writing Center by phone at 263-1992, or in person at Helen C. White room 6171, or online at http://www.wisc.edu/writing/.

· GUTS: The University of Wisconsin also provides a free tutorial service called GUTS. GUTS provides tutorial services for specific courses and teaches study habits. For more information, please see http://guts.studentorg.wisc.edu/index.html or call 263-5666.

· McBurney: Students with disabilities who believe they may need accommodations in this class are encouraged to contact the McBurney Disability Resource Center at 263-2741, online at http://www.mcburney.wisc.edu/, or in person at the W.S. Middleton Building (1305 Linden Drive, Room 1305) as soon as possible to better ensure such accommodations are implemented in a timely fashion.

Plagiarism

Students who copy from other students, submit the work or ideas of another student/person, paraphrase or submit the ideas of a professional is considered plagiarism. The majority of assignments in this course are designed to discourage and prevent plagiarism. Most students do not plagiarize. However, if there happens to be a temptation or urge at some point to plagiarize, try the following first:

· Learn how to avoid plagiarism and the consequences of plagiarism. This university has a variety of wonderful sources, including:

o http://www.wisc.edu/writing/Handbook/QPA_plagiarism.html

o http://www.library.wisc.edu/libraries/WomensStudies/plag.htm

o http://www.wisc.edu/students/amsum.htm

· Contact me first. If you happen to be struggling with a deadline, we may be able to work something out.

· Accept the consequences of not turning in an assignment. These consequences are considerably less punitive than if I catch you plagiarizing.

Consequences of plagiarism can include the following:

· Failure of the assignment and of the course

· A referral to the Dean of Students

· Academic suspension or expulsion

These consequences are relatively mild considering that plagiarism is an abomination. Take this warning seriously! Do not plagiarize!

Saturday, December 30, 2006

Important Dates

March 2nd (Friday) – First Paper Due (in section)

March 28th (Wednesday) – Midterm Exam (in lecture)

March 31st - April 8th – Spring Break

April 27th (Friday) – Second Paper Due (in section)

May 17th (Thursday) – Final Exam (location TBA)

I return papers 2 weeks after the date they are turned in. Final Exam comments are available in the following semester by email request.

Wednesday, December 13, 2006

Prof. Schaub's Syllabus

Representing Home: Theme and Variations on an Idea

English 169 is an introduction to 20th century American literature in several

genres: novels, plays, poetry, and short stories. The course aims to enhance appreciation for a range of literature by teaching concepts and skills basic to literary analysis and

interpretation. Because writing fosters (and requires) thinking, you will have the opportunity to develop your own ideas about the course material in a variety of writing assignments. Since much of your study at the university involves the reading of written texts, this course should have carry-over value for your success in courses in other fields, even though this class is designed specifically as an introduction to the study of modern American literature.

Our lecture series and sections will focus on ideas and performances of “home”—as place of origin and retreat as wells destination and place of final rest, of region and nation, of nature and cosmos. Understood in these ways, “home” becomes an idea at once philosophical, psychological and political. The texts selected for the course show how ideas about “home” appear (or are represented) in culture, as an organizing device of plot, theme, and image, as motivation in character, and as a significant background or scene. As this sketch suggests, “home” is a vital figure or trope for our lives and one in which each of us has a stake.

Requirements

Assigned reading completed prior to lecture

Regular attendance at lectures and section meetings

In section: active participation in discussion 20%

Two papers: one short, one longer 15% and 25%

Midterm 20%

Final Exam 20%

Require Reading

Ernest Hemingway: In Our Time

William Faulker: The Sound and the Fury

Richard Wright: Native Son

Lorraine Hansberry: Raisin in the Sun

Philip Roth: Goodbye, Columbus

Fae Myenne Ng: Bone


January 22 M Introduction

THE MODERNIST HOME

24 W Ernest Hemingway: In Our Time (1925)

“On the Quai at Smyrna

“Indian Camp”

29 M “Chapter II,” “The Doctor and the Doctor’s Wife”

“The End of Something,” and “Three-Day Blow”

31 W “Soldier’s Home”

February 5 M “Big Two-Hearted River” Parts I and II

7 W William Faulkner: The Sound and the Fury (1929)

“April Seventh, 1928”

12 M “April Seventh, 1928”

14 W “June Second, 1910”

19 M “June Second, 1910”

21 W *Finish Quentin section/begin Jason chapter (ie tomorrow)*

26 M *Jason and Chapter 4*”

28 W *Finish Sound and the Fury*

HOME AND RACE AT MID-CENTURY

* *

*March* 5 M Richard Wright: Native Son (1940)

“Fear”

7 W “Fear” and “Flight” pp 97-116

12 M “Flight”

14 W “Fate” and "How Bigger Was Born" 433-62

19 M Lorraine Hansberry: Raisin in the Sun (1958), Act One

21 W Act Two and Act Three


26 M Finish Raisin and discuss Mid-term

28 W *Midterm*

* Spring Break March 31-April 8*

MOVIN’ ON UP

April 9 M Philip Roth: Goodbye, Columbus (1959)

11 W Goodbye, Columbus

THE SELF IN THE WAR AT HOME

16 M W. S. Merwin: “The Asians Dying” (from The Lice, 1967)

Yusef Komunyakaa: from Dien Cai Dau (1988)

18 W Robert Lowell: “Waking Early Sunday Morning” (1967)

HOME AND NATURE

23 M Scott Momaday: House Made of Dawn

25 W House Made of Dawn

30 M House Made of Dawn

THE HYBRID HOME: IMMIGRATION

May 2 W Fae Myenne Ng: Bone (1993)

7 M Bone

9 W Bone

May Final Examination